I was left fairly speechless after reading Jeremy Scahill’s Blackwater. To see the internal mechanisms of the privatization of this war, consecrated in Christian propaganda and the false patriotism of the corporate mindset, is to see the very blueprint for the unraveling of our democracy. Caught in the middle of this grand heresy are the soldiers that carry the bloody water for a nation that pays closer attention to Sunday football and American Idol than it does the wars to which it sends its sons, daughters, mothers and fathers. And somewhere in the calculus of fighting war, soldiers invariably are led astray, go astray, misplace or lose their moral compass altogether. We now know through the internal investigations of the Bush administration’s prosecution of the war that many of the war crimes committed by our soldiers were authorized by civilian authority; and many of those crimes were built around the nil of accountability that allowed mercenary-like forces, such as Blackwater and C.A.C.I, to protract unchecked aggression against often defenseless Iraqis citizens adjudged without benefit of civil inquisition to be insurgents or so-called ‘enemy combatants’. The reluctance of the Pentagon and State Department to tally the death count of Iraqi and Afghan citizens underscore the cavalier attitude this administration has towards death and suffering.
However, this is another song I wished I had left off the CD. All this moralizing is no good when I know it’s my tax dollars that subsidize the cruel lunacy of this war. And while most of Trepanning is acoustic, it felt good to play some electric guitar, but stupid to enjoy playing it in such a context—rocking out to the beat of war crimes is just insipid.
lyrics
Collateral
Welcome to Cuba—Guantanamo
We call it Gitmo—you can’t pass Go!
Unless you know someone who’s really in the know
We don’t have to play by the rules.
We play good cop—you enemy
We play baseball...with your knees
Send the picture home to Nanny, she’ll be so pleased
‘Cause we don’t have to play by the rules.
If anybody asks you, we do what we are told to do.
I am Rendition, I am so dope
Ask for conditions, I’ll give you rope
There’s lots of money to be made by selling hope
‘Cause we don’t have to play by the rules.
I am the King, you little girl
My friend is dead—show you the world
You cracked my head, so I get to crack your pearl
I don’t have to play by the rules.
If anybody asks you, I do what I am told to do.
Back channels, riding these camels
Through a nation in shambles—
It’s a hollowed out brokered deadline
Infidel hokum— it’s better to smoke ‘em,
Taxpayer—soak ‘em
Grab another jug of oil and moonshine.
There was a time when we were men
There was a peace that might have been
If only we were humble, we could let some virtue in
But then we’d have to play by the rules.
It’s murder from a distance— that’s what it’s all about
For you and me and everyone, so we don’t feel left out
It’s empire building while they beg, scream & shout
We really have no use for the rules.
If anybody asks us, we do just what we want to do.
Peace is spoken while treaties are broken, we’re all just token
There’s no justice when you’re drowning in sin.
Torture commerce—I hope they don’t bomb us.
Is it butter or promise?
Can we kill ‘em all and call it a win?
It’s business here as usual as the bodies get stacked
And if you raise your voice they will shoot you in the back
They are the very terror, they are the very fear
There’s nothing they won’t do for an oath that they won’t swear
For power seeks power at the end of every rope
Is the man who screams for mercy as the woman prays for hope
But prayer now is meaningless, faith has no darker hour
When it’s the fate of every orphan to eat dirt instead of flour
This dirt is in the hearts of men as they even up the odds
You can’t wash away the sin when you act as if you’re God.
God...God...God...God!
Woe as me, Oh Abraham!
Can I go with Lot?
For every Abel there’s a Cain—
That I’ve not forgot
Preachers come and preachers go
While teachers are ignored
Never thought I’d see the day
When the pen fell to the sword.
Edward Morneau has been a musician and songwriter most of his life. His focus on multiple genres and interest on sound
collage experimentation makes his music hard to classify. His muses range from Beatles, Brian Wilson, Randy Newman, XTC, Kinks, Iris DeMent to Mahler, Shostakovich, Penderecki & Zappa. His background as an English & Film teacher gives humor and striking imagery to his songs....more
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